Located off the beaten path down
a series of meandering lanes Ewenny Priory is one of many hidden gems to be
found throughout the Vale of Glamorgan.
Although only a ten minute drive to the nearby town of Bridgend, Ewenny
Priory has the feeling of yesteryear about it due to its pleasant rural
surroundings and the fact that it is very much a working estate. With a few small exceptions it would appear
that little has changed at Ewenny Priory for centuries.
(
Early nineteenth century print of Ewenny Priory which appears pretty much as it is today)
Ewenny Priory was founded around
1116-1126 on land given to the Benedictine religious order by William de
Londres, one of Robert Fitzhamon's followers, who had by the year 1107 firmly
established himself in the area by building nearby Ogmore castle to control his
new lordship. William's son Maurice it seemed further
endowed the priory and his tombstone records him as being 'the founder'.
At the heart of Ewenny Priory is
the church of St Michael which for the most part has remained unaltered since
its construction making it the most complete surviving example of Norman
architecture in South Wales and certainly the most impressive; impressive
enough that William Turner felt inspired to make sketches for a full blown painting
when he visited in 1795. Two gentlemen
antiquarians who paid a visit during the 1830's were also enthralled by their sojourn to the church of St Michael which was expressed in their 1840's
publication 'The Tourist in Wales' stating that 'every admirer of antiquity will be highly gratified in examining its simple and impressive architecture'.
(Ewenny Priory by J.M.W Turner 1797)
Equally as impressive are the
fortifications which surround the priory, constructed during the Twelfth and
Thirteenth Centuries, one might well be forgiven for thinking that they
belonged to a castle befitting that of a marcher lord than a religious
establishment; a testament to the turbulent times in which Ewenny Priory began
its existence.
The visitor however must be
content to view this medieval marvel from the exterior as despite being able to
access the church, which is owned by Church in Wales, the majority of the
medieval Priory forms a part of the private grounds of the Turbervill family
who have owned Ewenny Priory and its surrounding lands since the beginning of
the Eighteenth Century.
We were therefore surprised upon one
of our previous visits to discover that the current owners of Ewenny Priory had decided to throw open their doors and invite the general public into
the grounds of their private residence, for a limited time, which afforded us a
rare opportunity for a wander around this fascinating place, something we had
always wanted to do.
Upon entering the grounds one is
greeted with several outbuildings, several of which bear the date 1871. These buildings are of an obsolete function
as they were intended to house horses and coaches and now form a quaint
reminder of times gone by. Contiguous is
a large building ostensibly of Nineteenth Century date but containing both
medieval and Tudor period mullions set in its walls betraying its antiquity. Described
by our Victorian antiquarians as being 'ruinous'
at the time of their visit, this building from what we saw was in a tolerable state
of repair, although it did look like it hasn't been modernised at all, right
down to sporting its original sash windows, behind one of which an archaic
Victorian gas lamp is still in situ.
(View of Tudor and medieval features)
This building was most likely a
service wing to the main residence and once originally formed part of the
medieval cloister and presumably a part of the now vanished Tudor mansion that
was built by the Carne family who purchased the Ewenny Priory from the crown in
1545 for the sum of £727. 6s. 4d.
The main residence which is
contiguous to the service wing is a stately looking Georgian mansion replete
with neat rows of sash windows and dates to the early Nineteenth Century. Our Victorian gentlemen visitors it
seemed also appreciated this building describing it as a 'handsome mansion', although like the adjacent service wing this
building has earlier antecedents and possibly incorporates medieval structures
in its fabric.
(Ewenny Priory House)
It was in the environs of Ewenny in the year
1770 that local gentleman Henry Knight (esq) felt aggrieved enough by another
local gentleman, one Thomas Bennet, to write him a formal letter inviting him
to settle a score and we could not help but to think of this as we approached..
'Respect to the company prevented my taking the proper notice of the
insolence of your language yesterday at Ewenny, but it were disrespect to
myself not to resent it now. I therefore
acquaint your self-importance that you behaved like a fool and spoke like a
liar-which I am ready to make good as a gentleman ought, when and wheresoever
you think proper to appoint'
We tentatively walked across the neatly
kept front lawn of the house, ever conscious that we were visitors on private
land, half expecting an irate grounds man to come storming over to eject us, but
of course that was not to be. In fact,
with the exception of a few other curious people we barely saw a soul.
(Eighteenth century view of Ewenny Priory from the south giving a view of not only the remarkable completeness of the medieval fortifications but also the Tudor/Stuart period mansion which has since been demolished)
Access to the interior of Ewenny
Priory afforded us a look at the rear of the church, which contained as we
expected an abundance of Romanesque architecture. One particular arch was a
source of curiosity as it seemingly exits in isolation to the church and forms
the entrance to a small garden. As we
approached something large quickly flittered its way across the other side of
the arch. Our ears were almost
immediately assailed by a loud squawking sound.
A quick look revealed the source of this noise and before us stood a magnificent looking peacock with its wings fully stretched; something
you don't see every day.
(Romanesque Arch in isolation)
To the south of the Romanesque
arch lies a substantial medieval tower which was probably constructed during the
mid to late Twelfth Century and formed a part of the original defensive circuit
that surrounded the Priory. Despite the
fact that the tower is roofless it is still in a good state of preservation, we were however surprised
upon entering to discover that this building had been converted into a dovecote
sometime after its use as a defensive structure had ended.
(Late Twelfth Century tower)
The original Twelfth Century curtain
wall had once extended to the west of this tower but was unfortunately torn
down during the early Nineteenth Century to afford the owners of the newly
rebuilt house a better view of the deer park, which is where we decided to
explore next. We walked the entire
precinct of the park which is now in use as arable farmland.
(View of Ewenny Priory from the deer park)
We re-entered the Priory
precincts through the south gatehouse, something we have only been able to
glimpse from the road outside on previous visits. This gatehouse is in very good repair and
looks like it has hardly been altered since it was built during the late
Thirteenth Century. We noted a number of
murder holes in the vaulted passage but no grooves for a portcullis such as the
north gatehouse exhibits.
(The south gatehouse)
To access the upper part one has to climb an
external stone staircase which leads to a narrow corridor. To the right of this corridor is the chamber
directly above the vaulted passage below.
This room was very plain and austere displaying no internal features of
note whatsoever, not even a fireplace. The
floor tiles looked Victorian in date and the walls washed a yellow colour. Following the corridor leads to a medieval
garderobe, or latrine and with that a dead end.
The other part of the gatehouse
is to be accessed from downstairs, and with very good reason, as it is missing
its upper floors and roof. Its seems an
incongruous sight to see a late Victorian fireplace, with a much earlier
fireback bearing the date 1719, which probably was taken from the big house surmounted
half way up the wall.
(Interior of south gatehouse complete with Victorian fireplace)
Our next port of call was a large
garden which lies immediately west of the south gatehouse. This garden is surrounded on three sides by
the original medieval curtain wall, which one could walk if feeling adventurous
enough, although we decided against it.
With the exception of a row of bee-hives located against the north wall,
it seems that this garden is utilized for very little else at present with its
current state being unkempt, which we thought lent it a certain charm.
There was however a curious stone
built feature to the south of the garden that attracted our attention which
looked a bit like a large well with a set of steps leading down into a pool of water. This feature is most likely contemporary with
the medieval priory although its function puzzled us somewhat.
(The garden as seen from the north gatehouse)
Our last stop was the north
gatehouse which we have viewed many times from the lane outside. A short walk up a stone spiral staircase to
the rear of the building and we were in the room directly above the vaulted
entrance. It would seem that this
building unlike the south gatehouse had not been utilized during the Victorian
period but like every other medieval feature we have come across was in
excellent repair and looked almost exactly how it looked when it was first
constructed. Behind this room is another
smaller room accessed by a very low door, which I banged my head on more than
once being quite tall, with alcoves set in the south wall reminiscent of the
dovecote we saw earlier. A doorway on
the opposite side of the main room lead to a garderobe which was unprotected by
iron bars so we didn't get too close, and then out onto the curtain wall.
(View of the curtain wall from the north tower)
The current owners of
Ewenny Priory must be commended for this generous act and hopefully we will see
the medieval Priory of Ewenny open again at a further date.
Mark and
Jonathan Lambert are archaeology graduates of Cardiff University and are published
authors. They have been writing about and researching local history for the
past 20 years and have a wealth of knowledge. All articles are original
compositions - we hope you enjoy our content. Enquiries: hiddenglamorgan@outlook.com
©Jonathan
and Mark Lambert 2017
The right of Jonathan and
Mark Lambert to be identified as Authors of this work has been asserted in
accordance with the Copyrights, Designs and Patents Act 1988. All rights
reserved. No part of this article may be reprinted, reproduced or utilised in
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