Historical background
At a casual
glance the city of Cardiff appears to be very much a Victorian construction-its
city streets exhibiting a mixture of Gothic and Classical Revival architecture
reflecting the confidence, surety and economic success of its Victorian heyday
as the largest coal port in the world. This ascent begun in earnest with the
construction of the Bute Dock in 1839 and culminated with the signing of the
first million-pound business deal at the Coal Exchange in 1904.
Cardiff’s
ancient past though is not so easy to spot. Even Cardiff’s medieval castle
appears, at least on the surface, to be a Victorian creation of pure Gothic
fantasy, the result of a joint enterprise between the fabulously wealthy Third
Marquess of Bute John Crichton-Stuart (1847-1900) with his devout vision, and the
genius of architect William Burges (1827-1881). Despite its Victorian appearance,
the city of Cardiff has a history that stretches back to the Roman period.
(Mid eighteenth-century colour print of the north-west view Cardiff by English engravers and printmakers Samuel and Nathaniel Buck)
The founding of the modern town of Cardiff coincided with the Norman invasion of South Wales during the late eleventh century. Cardiff Castle, itself built upon the site of a ruined Roman fort, was likely constructed-or at least expanded, under the auspice of Norman Baron Robert Fitzhamon (d 1107) and became the centre for the newly established medieval lordship of Glamorgan. Much like the Roman fort at Cardiff and its associated vicus town, a settlement also developed around the medieval castle which would provide the founding of the city of Cardiff, the medieval street layout of which is still by and large retained today.
Cardiff during
the medieval period thrived as a borough and as a port. Cardiff, along with
Llantwit Major, had one of the largest populations of medieval Wales numbering
over 2000 people and despite a number of attacks, rebellions and incursions by
aggrieved Welsh lords, including the audacious kidnapping and ransom of Robert, earl of Gloucester by the brave but dangerous lord of Senghenydd, Ivor Bach in
1158, as told to us by Geoffrey of Wales, Cardiff thrived as a town.
Simmering Welsh
resentment to Anglo-Norman rule however finally boiled over on a national scale
during the Glyndwr Rebellion (1400-1415) and Cardiff Castle and town were almost
completely destroyed in around 1404. It took Cardiff over one hundred years to
recover from this event. Once the medieval lordship of Glamorgan was dissolved in
1536 under the Act of Union between England and Wales, Cardiff became the county
town of the newly established shire of Glamorgan.
Post Medieval Cardiff
Cardiff during
the post medieval period once again began to thrive. Despite Cardiff’s partly
ruined medieval castle providing the main point of interest for visitors, as indeed
it still does today, it did not go unnoticed by tourists that Cardiff was
beginning its ascent out of obscurity.
The port of Cardiff during the latter part of the eighteenth century was a busy one with trade from Bristol and other places increasing as well as facilitating the prospering export markets of iron and coal. The innovations of the industrial revolution, such as the Monmouthshire Canal system which was constructed in the latter part of the eighteenth century, slowly began to impose themselves upon this small town-a precursor to the innovation of the steam railway, which ultimately enabled the port of Cardiff to export coal on a scale never before seen to all parts of the world.
Cardiff Town’s
population in 1801 however, had hardly changed from the medieval period with a
total population of 1870 inhabitants at this time. This is in stark contrast to
the latter part of the same century as in 1871 Cardiff’s population had
bourgeoned to 56,911 people (including Llandaff).
It is very much
the lives of Cardiff town’s ordinary people and the views and impressions of
Cardiff’s visitors during the Georgian period that is the focus of this article
which we hope will serve to give an insight into ordinary life. The paintings
and photographs will also serve to highlight the magnitude of change to Cardiff
which occurred during the Victorian period, as architecturally during the
Georgian period Cardiff still had very much the appearance of a typical early post-medieval
town being comprised of a great number of wooden Tudor-Stuart period buildings
and elegant Georgian townhouses. All this was to change upon the advent of
Cardiff Dock’s assent to the world stage during the Victorian period, when most
of Cardiff’s ancient architecture began to be swept-away when the city that we
know today was born and the surrounding landscape quickly developed.
Impressions of Cardiff Town
The perception
that Cardiff had upon visitors during the Georgian period appears to have overall
been a positive one. Despite being a small town, nearly all of Cardiff’s
Georgian visitors were impressed by Cardiff’s neat-clean streets and layout.
William
Gilpin writing in 1770 commented that:
‘Cardiff lies
low, though it is not unpleafantly feated on the land fide among woody hills.
As we approached it appeared with more of the furniture of antiquity about it
than any town we had feen in Wales ; but on the fpot the pidurefque eye finds
it. too entire to be in full perfection.’
Edward Daniel
Clarke writing in 1791 observed that:
‘Cardiff, having the benefit of a good harbour, carries on a brisk trade with Bristol, and other places, and has of late considerably increased its commercial importance: but perhaps its chief interest with tourists will be derived from its castle.’
(Mid nineteenth century painting showing the Cardiff that our Georgian visitors would've been familiar with. Source, Museum of Wales)
The Rev J Evans upon visiting Cardiff in 1803
was clearly impressed by what he saw, writing:
‘This is, for
Wales, a handsome town, consisting of several spacious streets of decent
houses, well pitched and paved. The inns, are good, and the inhabitants civil.’
J.T Barber
writing in 1803 was of a similar opinion to the Rev J Evans in that:
‘On entering
Cardiff, the capitol of Glamorganshire, between the ivy-mantled walls of its castle
and the mouldering ruin of a house of White Friars, we were much pleased with
the aspect of the town, nor were we less so on a closer examination of its neat
and well-paved streets ; it appearing to us one of the cleanest and most agreeable
towns in Wales’.
Zoologist and
writer Edward Donovan who visited in 1804 was also impressed by what he saw and
narrated:
‘The town of
Cardiff, considered as a sea port, lias a remarkably neat appearance. One of
the principal streets extends in a southerly direction nearly from the castle
to the new quay. Adjoining the latter, a commodious range of buildings has been
very recently erected, which may be justly deemed an ornament to the place :
the houses appear to be chiefly, if not exclusively, in the occupation of the
merchants, proprietors, and agent's engaged in the commerce of the port, and
especially of those connected with the mining speculations of the inland parts
of the country.’
Edward further
stated that:
‘The influx
of strangers to Cardiff during the summer months, is astonishingly great as may
be conceived from the large proportion of lodging houses in the town: nor can
the travelling business of the place be inconsiderable, since that alone
supports two large inns upon an extensive scale, besides several smaller houses
of public accommodation,’
(Mid nineteenth century view of Cardiff's old town hall which once stood in the middle of St Mary Street)
Outrage at the Angel Inn
Despite the
favourable impression Cardiff made upon Edward Donovan, he was more than a
little indignant at being forced to pay a guinea (a gold coin worth twenty-one
shillings) for a single night’s lodgings at the Angel Inn.
‘No people in the Principality know better how to profit by the liberality, or rather the credulity of strangers than the Cardiff inn-keepers; they have little of that courtesy by which this description of people are so uniformly distinguished in other Welsh towns; and when the place is pretty full of company, which often happens in the Summer, we have commonly found that their extortion could be only paralleled by their incivility. — “I suppose you are a stranger to Cardiff,” said one of the servants of the Angel inn, with a supercilious air not easily described, when I once complained that a guinea was certainly too much for a very indifferent bed, with which my hostess had accommodated me in an adjacent house for the preceding night. — “ Surely, (I made answer ) although such a sum may be given during the time of the races, or the assizes, that cannot be a customary charge.” — “Not a constant charge, I grant,” replied the girl, “ but a common one when the town is very full of company, I assure you.’
Industry
The fact that the
antiquated town of Cardiff was becoming entwined within the Industrial
Revolution and was beginning its journey towards becoming a port of global
significance was not lost upon visitors.
The Rev J Evans observed:
‘The iron
works of the adjacent country have greatly added to the consequence of this
place. By an Act which passed in 1790, a canal was cut from Penarth Point to
the Cyfartba iron works, near Merthyr Tydvil ; an extent of twenty-five miles,
which has greatly facilitated the means of, conveying so ponderous an article
of commerce to a market.’
(Late nineteenth century view of the canal that once ran adjacent to Cardiff Castle. Source, Wales Online)
Edward
Donovan noted that:
‘What tends
materially to promote the trade of Cardiff; is the facility with which a
constant intercourse is maintained between the inhabitants, and those of the
interior part of Glamorganshire, the great centre of the celebrated iron works
of this county. The canal communicating with Merthyr Tydvil and Aberdare, both
which lie at the distance of about five and twenty from Cardiff port.
The expenses attending the construction of this canal has already exceeded fifty thousand pounds ; the greater part of which has been defrayed by the iron masters of Merthyr and its vicinity, whose immediate interest this noble undertaking is so peculiarly calculated to advance, by affording a speedy conveyance for the produce of their mines and forges, at an easy charge, to a convenient depot for shipping it to the respective markets and twenty miles from the Cardiff port, is an improvement of modern day’s.’
Cardiff Castle
Cardiff Castle
in the latter part of the Georgian period began to attract the interest of both
casual visitors and antiquarians. All it seems gravitated towards this ancient structure
and eagerly sought a tour of Cardiff’s medieval castle.
It appears however, that our Georgian visitors were not very impressed by the unsympathetic reconstruction works which were undertaken by successive owners throughout the latter part of the eighteenth century. A large part of these works included the demolition of the outer bailey of the Norman keep, the cross-wall, the medieval shire-house and Knight’s Hall on the advice of celebrated landscape architect Lancelot ‘Capability’ Brown. The ‘capability’ moniker was derived from Lancelot’s proclivity of telling clients that their properties had ‘capability for improvements’. Our erstwhile Georgian visitors to Cardiff Castle evidently thought otherwise.
Restoration
works
The Rev J Evans commented that:
‘The
modernization of the present mansion, and the close mown grass and gravel walks
of the area, but ill accord with the stately architecture and ivied walls of
this proud pile, which has withstood the storms of seven centuries.’
Edward Donovan narrated that:
‘Cardiff Castle
is a noble structure, occupying a great extent of ground on the north side of
the town. About seven years ago the habitable part of the castle, a fine suite
of apartments in an ancient style of grandeur that forms the western wing of
the building, was to have received a very complete repair, when the death of the possessor put a period, for a while, to
the progress of those improvements. — Before this time, the castle had
undergone amendments that were far less gratifying to the peculiar taste of the
antiquary, than to the admirers of modern reformation. Grose laments the
depredations which it had sustained before his days, but it suffered again
materially within the last twenty or thirty years, the space of time elapsed
since he saw it. The courts and walls that formerly extended across the area,
have vanished, and the venerable keep divested of these appurtenances, now
trimly crests the summit of a verdant eminence on one side of a smoothly mown
grass plat.’
Donovan even notes that there were plans at the time to convert the keep into a dancing room.
Daniel Clarke writing in 1791 lamented that:
‘Cardiff
Castle, a seat of the Marquis of Bute, (Baron Cardiff and Earl of Windsor), was
until lately a Gothic structure of considerable elegance; but having undergone
a repair, without attention to the antique style of architecture, it presents a
motley combination, in which the remaining Gothic but serves to excite our
regret for the greater portion destroyed.’
It was this extensive re-modelling which caused the death of Thomas Llewellin when working at Cardiff Castle in 1777. Thomas died when a wall fell on him, crushing him to death. Thomas was almost certainly involved with the destructive renovation of the castle conducted under the auspices of Lancelot ‘Capability’ Brown on behalf of the first Marquees of Bute in the 1770s.
Secret
tunnels
Edward Daniel Clarke narrates an anecdote
regarding a secret tunnel that was said to exist within the castle:
‘A fubterreanean
paffage [subterranean passage] , the old bugbear of all caftles, is faid to
continue from this place to a priory at fome diftance and what added a little
to the veracity of the ftory [story] the pefon [person] who conducted us over the ruins affured me
that he had ventured to explore it himfelf, as far as he could proceed, but
that finding his candle go out, Aid the damps become exceffive, he returned| and
fince that time, the entrance has been buried with rubbish’
Crime and Punishment in Georgian Cardiff
The Georgian town of Cardiff is also of interest for the behaviour of its inhabitants. Their mishaps, adventures and sometimes deviant behaviour are of great interest to those who are curious about past-times.
Theft was common in eighteenth century Cardiff. In 1740 a labourer by the name of Thomas Harris stole what was described as a ‘gold quarter Guinea’ (5 shillings and 3pence). Thomas had made the mistake of confiding in a relation, Edward Harris. Edward, who was a barber, was clearly of a more honest disposition than his brother and did the right thing ensuring that Thomas returned the coin to its rightful owner.
In 1732 Cardiff man, William Harry (sailor) was convicted of stealing a purse which contained £17. 2s in coins. The purse was taken from a boat which belonged to a man called Robert Priest. William’s fate is not recorded but being shipped to the American colonies to work on the plantations for a number of years was common. This is exactly what happened to Thomas Harry in 1735 when he was convicted at Cardiff of burglary, he was initially sentenced to death. It would appear that the records tell us that the court was disposed to be lenient and this was commuted to seven years slave labour on a plantation in the American colonies. It is not noted if Thomas ever returned.
Violence was
common in Georgian Cardiff, but a number of incidents are of interest.
In 1737 Cardiff
resident John Price was brought before the courts accused of assaulting a young
girl called Anne Plumly in his garden in 1737. As well as assaulting the poor
girl, John also made a number of curious threats to Anne, principally that if
she screamed for help that ‘the spirits would come out of the friars and take
her away’. Historically there were two friaries at Cardiff, the Dominican
friars (black) and the Franciscan friars (grey). John also said that Anne would
be visited by what was described as ‘a mysterious being called the Bully Dean’,
one can only guess the nature of this supernatural entity, although the ‘bully Dean’
may have been a well-known figure in the local folklore of the area at the
time.
In 1784 Cardiff
resident Richard Griffiths, described as ‘an evil disposed person and disturber
of the peace’ attempted to provoke William Lewis of Whitchurch to fight a duel
against him by way of a written challenge. The outcome is not recorded. But in
1792 Cardiff miscreant Richard Griffiths was at it again. Richard was no common
criminal though having been described as a ‘surgeon and coroner’ but was
convicted of attacking John price, also a gentleman, by assaulting him with the
butt end of a riding whip.
Perhaps one of
the most notorious incidents of affray from this period of Cardiff’s history
was the famous riot of Homanby (now Womanby Street) in 1759. It was not really
a riot as such but more of an armed confrontation between the rival crews of two
ships. The incident saw the crews of a Bristol merchant ship called the Eagle
do battle with the crew of a man o war called the Aldbrough. HMS Aldbrough was
a 20-gun Sixth Rate ship commissioned to serve in the Caribbean, but was no
longer a serving navy ship at this point having being sold out of service in
1749 at Deptford for the sum of £302. Both crews were well armed with the
conventional weapons of the day which were commonly found of ships of all
purposes from this period such as cutlass’ (a short sword), pikes, swords,
pistols and muskets. The fight must have been ferocious as one man was killed.
The cause of this disturbance is not known although mass brawls and serious
outbreaks of organised violence were not uncommon in the Cardiff of past - times.
It was not just
sailors or civilians involved with casual violence in late Georgian Cardiff,
the military sometimes got involved. In 1801 John Quin, who was a dragoon trooper
(heavy cavalry) of the 6th Inniskilling regiment, violently robbed a
labourer called James Morgan on a bridge taking two half-crowns and 5
shillings.
Accidental
death
The records from
Cardiff at this period are replete with examples of accidental death. Death by
drowning seems to have been common. This may not come as a surprise as Cardiff
is intersected by rivers and was a port town. In 1746 Thomas Price was
accidently drowned in the river Taff by somewhere called Cardiff Key –
incidentally, Thomas was a sailor but, it was an irony that sailors of this
period were very superstitious and, being able to swim was widely regarded as
one of the many things which could bring bad luck upon a ship. In 1750 a small
boy by the name of Robert Tanner fell into the river at a place called Gollgate
and was drowned. In 1752 a coroner’s inquest found that another young boy by
the name of John Lewis was caught out by the incoming tide in an area known as
the Dumball. Despite attempting to wade through the water, the lad was suddenly
engulfed and was overcome.
(Mid eighteenth-century view of Cardiff by Paul Sandby. The river Taff was diverted west from its old course as seen in this picture to its present location in the early 1840’s by celebrated engineer Isambard Kingdom Brunel. The river Taff originally flowed through what is now Westgate Street. Source. Source, Museum of Wales)
Water was not
the only medium which could asphyxiate an individual. Probably one of the most
unfortunate persons who died in eighteenth century Cardiff was a lady by the
name of Christian Lewis. It was the verdict of a coroner’s court that Christian
‘met her death by falling into the privy’ (a toilet) of a long vanished ancient
Cardiff pub called the King David in 1750. It was most likely that the poor
lady was intoxicated.
The town of
Cardiff was still in a rural setting at the end of the eighteenth century and
the surrounding countryside could be fatal if care was not taken. In 1772 John
Williams, on the 11th March was traversing the lonely moors which
once surrounded Cardiff and became stuck in a bog or muddy quagmire with the
unfortunate man being unable to extricate himself without assistance. John
eventually died of starvation with no one hearing his pitiful cries for help.
Even on the dawn of Cardiff’s assent to the world stage with the construction of its first dock in 1839, Cardiff was still very much a city unaffected by urban expansion. Indeed, it still very much retained its rural setting, unaffected by creeping industrialisation. This was observed by an English tourist in the 1840s:
‘The wide
plain of Cardiff affords, for many miles, gratifying prospects of various
cultivation, and several villages’ (now all absorbed into the greater area
of Cardiff, such as Whitchurch).
The rapid
industrialisation of the area however did not go unnoticed upon the visitor as he remarked:
‘Cardiff,
which stands in the flat country near the mouth of the Taff, and was, until
this few years, of no great importance, although it had a name in history. But
the rapid development of the iron trade in the Taff valley and its branches,
the canal and railroad to Merthyr, and above all the formation of a new channel
and docks, by the patriotic enterprise of the noble Marquise of Bute, have
rendered it a place of immense and increasing commercial prosperity.’
(Mid nineteenth century view of Cardiff depicting its urban expansion-a precursor to the city that we know today)
The visitor also
remarked upon the changing face of Georgian Cardiff saying:
‘This great
commercial development has of course much improved and modernised the
antiquated town of Cardiff, which is in reality the county town of Glamorgan.’
Cardiff’s future
as a leading centre of industrial prominence was sealed.
Mark and
Jonathan Lambert are archaeology graduates of Cardiff University and are published
authors. They have been writing about and researching local history for the
past 20 years and have a wealth of knowledge. All articles are original
compositions - we hope you enjoy our content. Enquiries: hiddenglamorgan@outlook.com
©Jonathan and Mark Lambert 2022
The right of Jonathan and Mark Lambert to be identified as Authors of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this article may be reprinted, reproduced or utilised in any form or by any electronic means, including social media, or mechanical, or by any other means including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the authors.
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